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← DE SLOOP VAN DE LIEFDERead in English →

TWEEDE BEDRIJF

HET KONINKRIJK

Utrecht, Almere, Londen, Maarssen, Keukenhof, Monaco — april tot oktober 2025

Waarin de liefde wordt gebouwd, dagelijks en volledig. Zij schrijft gedichten voor hem in het donker. Hij noemt haar zijn vrouw. Iedereen gelooft het. Eén seizoen lang is het schitterend waar.

SCENE I

Irving Berlinhof. The Keys. The Poems Begin.

He has keys almost from the start. Eurydice gives him everything — openly, gladly. And in the evenings, when the house is quiet, she writes.

EURYDICE

I am a poet. I write what I cannot say out loud. I wrote him Morning Dance — how we move around each other in the morning kitchen, two people learning the steps of a new life. I wrote The Quiet Gardener — his hands in soil, patient, knowing, tending what he loves. I wrote Gentle Shears — the way he trims and shapes without ever cutting what should live. I wrote Kisses in the Kitchen — his mouth finding mine over the cooking, over the ordinary day. I wrote Dinner Can Wait — because some things are more urgent than eating. I wrote Peachy Plans — the future we were making, ripe and possible and sweet. Six poems. All for him. I told him: generosity is more than money. It is the everyday moments — the kisses, the eating together, the unspoken moments. They are all captured in my poems. I wrote them all for you.

SCENE II

The MG. The Omakase. Keukenhof.

Three images from the kingdom at its fullest.

EURYDICE

The MG. Windows down. Dutch roads. His hand finding mine across the gearshift. He went to Manchester with Quintin and came back with records for us both. He thought of me. That is its own language.

June 13th — his birthday. The omakase. Four hundred euros.

GIJSBERT

No one has done this for me. Not like this.

EURYDICE

Then it was time someone did.

Keukenhof. Millions of tulips. Yasmina running ahead. Gijsbert standing among them — vibrant, exhaling joy.

GIJSBERT

I am in bloom. That is exactly how I feel. In bloom.

EURYDICE

He said he was in bloom. Meaning me. Meaning us. I will hold that image against everything that follows.

SCENE III

Almere. Gijsbert's Garden. Yasmina Plants.

His garden. His most private space. He brings them here — Eurydice and Yasmina. Yasmina on her knees beside him in the soil.

YASMINA

Gijs! Gijs! Is this one a tomato? Gijs! Look! Gijs!

EURYDICE

He loves hearing her call his name. A hundred times. And each time it lands in him like something warm.

SCENE IV

Maarssen, London, Monaco, Sunday Dinners, Yasmina's Birthday.

The kingdom in its summer fullness. Maarssen — her birthday, the three of them on the river. London — Coldplay in the rain, their first trip alone. Monaco — Yasmina running at the Mediterranean. Almere — Sunday dinners, his father, his stepmother. Yasmina's birthday — Gijsbert the jester.

GIJSBERT

All the way to Africa, Yasmina. Perhaps we'll go.

EURYDICE

Perhaps we'll go. Three small words containing a future. I believe him. I choose to believe him. This is the kingdom. This is before.

Gijsbert carries Yasmina to bed after the birthday party. Eurydice watches from the doorway. The kingdom is whole.

End of Act II

← EERSTE BEDRIJFDERDE BEDRIJF →

Je leest De Leeseditie, de gratis online versie. Download het volledige manuscript (PDF).

Een heldere, per pagina opgemaakte printversie van de leeseditie — inbegrepen bij een Reader-lidmaatschap.

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Dit is een werk van fictie. Personages, gebeurtenissen en omstandigheden zijn gefictionaliseerd.

DE SLOOP VAN DE LIEFDE — TWEEDE BEDRIJF · Ella Tan · lovesreckoning.com · Reading edition, for private study and rehearsal use.

A home for verse.

Poems by Ella Tan. A record of a love that was real — and the words written in its light and its silence.

@lovesreckoning

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A work of fiction. The characters, incidents and dialogue in this play — and in the poems and other writing published on this site — are products of the author’s imagination, or are used fictitiously. Any resemblance to actual persons, living or dead, to real events, or to actual places is entirely coincidental and is not intended by the author.

© 2026 Ella Tan. All poems and plays are the original work of the author.Poems are published in the poet’s original English.
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