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PROLOGUE

Irving Berlinhof, Utrecht. Before the play begins.

Before we meet Eurydice in love, we must meet her in survival. The stage is bare. A single light. Eurydice speaks to the audience.

EURYDICE

You should know what I was before he found me. Eight years with Phuong. Eight years of being made to feel too much, too foreign, too inconvenient. Eight years of love that was not love at all. He gave me Yasmina. That I will not deny. But then he left. And threw us out with lawyers. A court order. Irving Berlinhof, Utrecht. Yasmina watching with her seven-year-old eyes. He tried to take the country too. My visa. I fought. I applied again. I made myself permanent in this country by my own hand. I am a poet. I write what I cannot say. I wrote six poems for Gijsbert while I loved him. Morning Dance. The Quiet Gardener. Gentle Shears. Kisses in the Kitchen. Dinner Can Wait. Peachy Plans. I wrote them all for him. He knew. I met Gijsbert on Bumble — the plain fact of how love arrived. There is no joke in that. And then — because God has a sense of theatre — we lost Yasmina.

The light widens. The play begins.

ACT I →

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This is a work of fiction. Characters, events and circumstances have been fictionalised.

The Demolition of Love — PROLOGUE · Ella Tan · lovesreckoning.com · Reading edition, for private study and rehearsal use.

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Poems by Ella Tan. A record of a love that was real — and the words written in its light and its silence.

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A work of fiction. The characters, incidents and dialogue in this play — and in the poems and other writing published on this site — are products of the author’s imagination, or are used fictitiously. Any resemblance to actual persons, living or dead, to real events, or to actual places is entirely coincidental and is not intended by the author.

© 2026 Ella Tan. All poems and plays are the original work of the author.Poems are published in the poet’s original English.
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