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Cover art for the poem “They Called It Safety” by Ella Tan

They Called It Safety

A mother's reckoning — a literary, subjective poem about institutions that rename power as virtue, and a mother who refuses to let an official judgment become the truth about her love.

5 min readlossidentitymotherhoodbetrayal
They took my daughter with clean hands. That is important. No blood on the floor. No broken window. No villain arriving beneath a blackened moon. Only appointments. Reports. Measured voices. People seated around tables speaking the language of concern. And somewhere between the forms and the findings and the careful Dutch words for what was supposedly best, a mother lost her child. Her father stood among them wearing righteousness like a borrowed coat. He had discovered the oldest trick of power: do not call your hunger hunger. Call it concern. Do not call vengeance vengeance. Call it protection. Do not say: I will hurt the woman by taking what she loves most. Say instead: We are thinking of the child. And behold— cruelty becomes respectable. The Raad had its language. Samen Veilig had theirs. Everyone had a word except the little girl whose world was being divided by adults. Yasmina was six. A small Chinese girl with dark hair and questions larger than her hands. She did not know what a dossier was. She knew Mama. She knew the ordinary religion of childhood: the familiar bed, the voice from the kitchen, the hand reaching backward to find hers, the certainty that when darkness came someone she loved would still be there. What philosopher has ever improved upon this? Yet adults are extraordinary creatures. Give them a desk, a title, a procedure, and they may begin to believe that what can be written down is more real than what has been lived. They measured me. They interpreted me. They translated grief into evidence. When I protested, I was difficult. When I wept, I was unstable. When I fought, I was hostile. Had I smiled, perhaps they would have written: Mother displays insufficient concern. Thus the trial was perfect. Every road led to the same verdict. Nietzsche warned us: there are those who manufacture morality because naked power would disgust even themselves. So they dress power in virtue. They perfume judgment with compassion. They place the knife inside a folder and call the wound procedure. But listen carefully: an institution is not God. A report is not truth. A father does not become good because somebody believed him. And a mother does not cease to be a mother because strangers constructed a version of her that fitted neatly between numbered paragraphs. You can take the mornings. You can take the school runs. You can take the toothbrush beside mine, the shoes by the door, the small voice shouting Mama from another room. You can even persuade yourselves that absence is medicine. But you cannot legislate what happened before you arrived. She was loved. She is loved. She will be loved after every file concerning us has yellowed into irrelevance. And perhaps that is what power never understands: love does not require institutional recognition to exist. So write your conclusions. Stamp your papers. Close your folders. Call yourselves reasonable. History is crowded with reasonable people standing beside terrible things. I will not ask you to declare me innocent. I have learned the danger of allowing other people to become the judges of one's soul. I ask only that one day my daughter is old enough to ask her own questions. And when she does, give her everything. Every page. Every contradiction. Every accusation. Every answer. Do not protect her from the truth then. Let Yasmina read. Let Yasmina remember. Let Yasmina decide. Because a child is not territory. A daughter is not victory. And motherhood is not a privilege bestowed by men sitting around a table. I was her mother before you entered the room. I was her mother when you wrote against me. I was her mother when she disappeared through another door. And when every authority that once pronounced upon us has forgotten our names, I will still be— her mother.

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— Ella Tan